2020 – teaching programmed

Observational courses at West Dean – 1 day (hands and feet) at end of October and 3 day portraiture in the New Year.

Where there is form, add clay

After all, it is not ignorance which damages the clarity of our portraits, but the accumulation of knowledge. Alain de Botton – ‘Kiss and Tell’, 1995 The Amesbury Preparatory School in Hindhead is unique in being the only purpose-built school by Edwin Lutyens. It had an arts festival in March 2012, the final day of which saw […]

Sculpture stimulating the creativity of young people

Looking back to Summer 2006, this short film reminded me just how essential it is to be working with children from time to time. Jigsaw worked with several Herefordshire schools for those with special needs. We introduced elements: Fire, Water and Wind, and young people responded to aural stimulus. The results were fresh and lively: […]

Smooth, yet not complete

One perennial issue with clay sculpture seems to be the pre-occupation with the smooth – perhaps aimed at some form of ‘finish’ – with less attention to the completeness of the sculptural form or plane, by which I mean where the surface should attempt to be visually consistent – read as one – in whatever texture […]

Large Clay Sculpture: Improvisation course at West Dean

4 day course at West Dean College, West Sussex led by Jon Edgar – abandoning the use of the armature as stifling to creativity, students construct random clay elements (left) and then free-build with them… turning the clay matrix and continuing to add until forms start to emerge. This technique was devised by veteran sculptor Alan […]

Oxmarket Open Sculpture Competition 2009 – Judge’s notes

The works I see selected for final exhibition have a real breadth. Technical competence and freshness is much in evidence. My considerations have been warmth and sensitivity, honest observation, true credit to the base materials used and the mass conveyed, along with rigour tempered by ambiguity. I make no apologies for the prizes going to […]